Posts tagged live
Adebisi Shank - “Thunder” (Sargent House Studio Sessions)
Adebisi Shank perform a new song live from Entourage Studios in Los Angeles. It was recorded to multitrack and mixed by Toshi Kasai (Melvins, Indian Handcrafts) while the band was over for their summer tour in the US with Fang Island. This is part 1 of a 3 part session.
I didn’t care much for Adebisi Shank’s second album, beyond a bright moment or two (like the Velcro-tight rhythmic pummeling of the outro to “Genki Shank”). Seemed like they ditched what made their debut stand out in favor of carnival carousel weirdness. This is a bit closer to what I liked about their first record, though it sounds like touring with Fang Island rubbed off on them quite a bit.
if i ever start a band i’m going to name it “music” and then it will be literally impossible to find any of our songs on the internet
the first album : “Unknown album”
the hit single: “track 1”
album art
you’re all satan
(via tellmetaradiddles)
http://danimalcannon.bandcamp.com/album/parallel-processing ALBUM ON SALE HERE
A live playthrough of a Gameboy song off of the upcoming album by Danimal Cannon and Zef. This is how the song is usually heard live, there is no guitar on the record.
This song was made by using 2 Gameboys linked together running the homebrew software LSDJ (2xLSDJ)
Perhaps, but there should be guitar on the record. It works for Syphus and Anamanaguchi.
Also: I wonder if the Logic Gatekeeper wields Ockham’s Chainsaw when he doesn’t have his axe?
YES
Audiotree.tv : : : Death on Two Wheels
Death On Two Wheels makes rock ’n’ roll dangerous again, with slurry-blurry lyrics, half-cocked dreamspeak of portents and regret, and a formidable guitar attack that recalls the nasty duels Allen Collins waged with Gary Rossington before Skynyrd’s final plane ride. Following the same bumpy trail as Kings of Leon, this Atlanta fivesome seems to be in pursuit of darker mysteries on the band’s self-released debut. And unlike the Kings, they have more range and a greater reverence for ’70s classic rock, not to mention the eccentric bite of vocalist Trae Vedder. Could he really have been christened with such a propitious rock name? No matter, he has the same grit and red clay in his voice that Chris Robinson had before he got famous and complacent—but there’s something even more disturbing in Vedder’s delivery that almost veers into goth. Especially on a song like “Bobby Havis,” which shudders with psychedelic anxiety. It’s a song so haunting it could’ve been penned in Rose Hill Cemetery next to Duane Allman’s headstone. - Jaan Uhelszki, Paste Magazine
Allow me to concur with the above, and add that Vedder’s bloodthirsty yell on “Look At The Sound” here sounds like he brushes his teeth with a lawnmower. His pipes sound rustier than a pickup truck, casting the song’s simple hook with absolutely shredded, boiling nails punk rock attitude. It’s a haymaker of a set opener that immediately knocks you flat so you can sit up and listen.
You’ll want to stick around for the rest of the set—trust me—so I don’t want to ruin the entertaining banter, but suffice it to say, these guys are immediately likeable, down to earth, wholesome types. Especially their drummer.
Major props to Audiotree for fostering the intimate atmosphere that makes you feel like you’re just hanging out with these dudes in the living room, in between splurts of them stripping the paint off the walls.
Yosuke Onuma
Yosuke is quickly becoming known around the world as one of the leaders of the next generation of jazz guitarists. He’s released several highly-acclaimed albums and will certainly continue to amaze audiences with his abilities and unique finger-picking style.
Syphus performing live
This guy is my new fucking hero/archnemesis. This is exactly what’s so cool about chip music. Skip directly to 3:40 for explode in your pants melodic chip + violin (a.k.a. “Fuelship”), or enjoy the entire clip.
